Song 42:
"Ain't No Other Man" by Christina
Aguilera
Peak: 6
Year: 2006
Year end position: 32
Alphabetical Songs by Artist: 1/12
Chronological Songs by Artist: 10/12
Video?: Yes
Wikipedia?: Yes: https://en.wikipedia.org/wiki/Ain't_No_Other_Man
Spotify?: Yes
We are a full week into the list of "Ain't" songs,
and we have our second "Ain't No..."song, which, as you may remember
from yesterday is a double negative. The
correct re-write of this song would be "There Isn't Any Other Man".
This is also the first song we've heard from Hall of Famer
Christina Aguilera. I was curious about
her chart life, and she had her first top 20 hit in 1999. It didn't seem that she started all that long
ago, but a full 25 acts have started later than Christina and already made it
to the Hall of Fame, so I guess she has.
As a matter of fact, her career seems to somewhat mirror Jennifer Lopez,
who we first heard from a few days ago.
They both started in 1999, and Jennifer Lopez only had one more top 20
hit than Christina Aguilera. I don't
usually think of those two together, but it seems like maybe I should.
Christina has had a few iterations of herself in her
career. She started off as a straight
forward pop singer. After that, she dyed
her hair black and toughened up her image a bit. The song today comes from the stage after
that. She adopted a "Baby Jane"
persona and had her songs influenced from the sounds of the 20s and 30s.
This song isn't the first song we've had that features
sampling of other people's music, but it is the first one that has sampled
songs in a way that I like. My personal
opinion is that I don't like it when an artist takes an entire song, lifts the
vocal track off of it, and then performs over it. The reason I don't particularly like this
technique is that I almost always know the original song that the artist is
sampling. I also think that it's not
very creative to just write new lyrics to go over an established melody. There are a lot of singers / rappers that
employ this style, and I think it cheapens the song a little. Today's song uses a little bit different
strategy. It takes songs that are
relatively obscure (to me), and incorporates them to make an entirely new
sound. They also aren't huge samples of
the original song. They are small clips,
which just add a little flavor to the song.
This song samples two songs that, honestly, I had never
heard of. There is a line at the
beginning where a woman says "Do Your Thing, Honey". This song was "The Cissy's Thang"
by the Soul Seven. The saxophone piece
that you hear throughout the song was a sample of "Hippy Skippy Moon
Strut" by Dave Cortez & the Moon People. Not only had I never heard those songs, I had
never heard of those acts (To be fair, I had heard of Dave "Baby" Cortez,
but not the Moon People). You can hear
the scratches and pops of the original vinyl recording on them, which gives the
song a little bit of an old-timey feel.
That's why I feel that the use of the sampling on this song is handled
well.
The song is a pretty straightforward tribute song. The song was written not long after her
marriage to Jordan Bratman, so the rumor is that it was partially inspired by
him. They got divorced 6 years later, so
maybe the initial enthusiasm wore off.
While it lasted, Christina seems pretty excited about the guy in the
song. The song reads like a complete
laundry list of all the great things that this guy is. There really seem to be no end to the
superlatives that she heaps on this guy.
One of the only strange things lyrically that Christina does
in this song is that she changes the focus of the pre-chorus in verse one and
verse two. In the first verse, she is
talking about herself when she recites all the people that she's told about
this great guy. In the second verse, she
changes focus so she is singing to the guy who he should tell, and she changes
the last line to " Tell your mother, your brother, your sister, and your friend
/ And the others, your lovers, better not be present tense". I like that little change to the lyric. It mixes up the lyrics just slightly.
Looking back at the lyrics, the song is Christina singing
directly to the object of her affection.
Almost all of the song is describing what she likes best about this guy,
and she's using the pronoun "You" throughout. That makes the song a little more
immediate. I like this technique. I've heard the Beatles purposefully employed
this to great effect early in their career.
It made the relationship between them and the audience seemingly
closer. It never seems like a bad idea
to steal from the Beatles.
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